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Love without fear, pope tells Lebanese church workers

HARISSA, Lebanon (CNS) -- At a shrine topped by a 28-foot-tall statue of Our Lady of Lebanon, Pope Leo XIV listened to stories of unshakable faith amid war, injustice and suffering.

The pope began Dec. 1 at the tomb of St. Charbel at the Monastery of St. Maron in Annaya, a place known for its atmosphere of silent prayer, especially in difficult moments.

Despite intermittent rain, thousands of people gathered along the road leading to the monastery, tossing rose petals or rice as a sign of welcome.

After entrusting the Catholics of Lebanon and the entire country to St. Charbel's care, Pope Leo went to the Shrine of Our Lady of Lebanon in Harissa and listened, like St. Charbel often did, to the cries of people's hearts. 

Pope Leo speaks at the Shrine of Our Lady of Lebanon
Pope Leo XIV delivers a reflection during a visit to the Shrine of Our Lady of Lebanon in Harissa, Lebanon, during a meeting with the country's bishops, priests, religious and lay faithful Dec. 1, 2025. An Arabic translation of the pope's speech appeared on a screen behind him. (CNS photo/Lola Gomez)

Father Youhanna-Fouad Fahed, a married Maronite Catholic priest and pastor of a parish near the Syrian border, spoke first. His village welcomed Syrian refugees from the war that began in 2011 and was repeatedly struck by shelling from the Syrian side of the border. In December 2024, when the Syrian civil war officially ended, more refugees came.

"The collection bag during Sunday Mass revealed to me a first, silent cry: I noticed Syrian currency inside: It was an offering mingled with pain," Father Fahed told the pope.

"Alone, feeling my people's suffering smothered by fear, the misery concealed by the shame of asking for help, I went in search of them," the priest said. Some told him they had fled to protect their daughters from forced marriage, and many arrived in Lebanon hoping to eventually migrate to Europe, even if that meant "entrusting their dreams to migrant smugglers who stole their savings."

All Father Fahed asked of Pope Leo was a word of comfort so the people would not feel forgotten and alone.

Sister Dima Chebib is a member of the Sisters of the Sacred Hearts of Jesus and Mary and director of a school in Baalbeck, which is considered by many to be a stronghold of the Hezbollah militia and has been struck repeatedly by Israeli shelling in the past year.

 

Lebanon's bishops, priests and religious listen to Pope Leo
Lebanon's bishops, priests, religious and lay workers listen to Pope Leo XIV at the Shrine of Our Lady of Lebanon in Harissa, Lebanon, Dec. 1, 2025. (CNS photo/Lola Gomez)

While many people fled the town, she said, the priests and religious of the Melkite Catholic diocese "decided to stay and welcome the refugee families -- Christian and Muslim -- who came seeking safety and peace. We shared bread, fear and hope. We lived together, prayed together and supported one another in fraternity and trust."

"In the heart of war," she told the pope, "I discovered the peace of Christ. And I give thanks to God for this grace of remaining, loving and serving to the end."

Loren Capobres, who came to Lebanon from the Philippines as a domestic worker and now works with Jesuit Refugee Service, described the people she helps as "people who had left everything behind -- broken not just by war, but by betrayal and abandonment."

Vincentian Father Charbel Fayad, a prison chaplain, told the pope of the repentance and conversion of prisoners who are amazed anyone cares enough to minister to them.

"Even in the darkness of the cells, the light of Christ never goes out," Father Fayad said.

Pope Leo responded to the testimonies by saying that just as for St. Charbel in the 19th century, so today "it is in being with Mary at the foot of Jesus' cross that our prayer -- that invisible bridge which unites hearts -- gives us the strength to continue to hope and work, even when surrounded by the sound of weapons and when the very necessities of daily life become a challenge."

Father Toni Elias, the Maronite pastor of Rmaych, near the Israeli border, did not speak to the pope, but told reporters, "We have basically been living in war for the past two, two and a half years but never without hope."

The visit of the pope, he said, is confirmation for believers that "what we have lived" -- the fear and the hope combined -- "has not been in vain."

Pope Leo's speech to government and civic leaders Nov. 30 had focused on the Lebanese people and did not mention Israel at all. But Father Elias said that was "beautiful" because peace and harmony among Muslims, Christians and Druze "are our roots, our culture. That is Lebanon."

Meeting the country's bishops, priests, religious and pastoral workers -- a crowd of about 2,000 people -- Pope Leo told them, "If we wish to build peace, we must anchor ourselves to heaven and, firmly set in that direction."

"Let us love without being afraid of losing those things which pass away and let us give without measure," the pope said. "From these roots, strong and deep like those of cedars, love grows and with God's help, concrete and lasting works of solidarity come to life."

Pope Leo was scheduled to end his morning with a private meeting with Catholic patriarchs from throughout the Middle East.
 

U.S. Bishops Grant More Than $7.5 Million to Strengthen Nearly 70 U.S. Mission Dioceses

WASHINGTON - The U.S. Conference of Catholic Bishops’ (USCCB) Subcommittee on Catholic Home Missions convened this fall to review grant requests for the 2025-2026 year. The subcommittee awarded more than $7.8 million in grants for 69 dioceses and eparchies. These grants are made possible through the generosity of the Catholic faithful to the Catholic Home Missions Appeal, an annual collection taken in many U.S. dioceses.

Home mission dioceses and Eastern Catholic eparchies are found across the United States and its territories, many in regions with small Catholic populations in rural areas affected by economic hardship. Grants from the subcommittee help mission dioceses here in the U.S. support parish and diocesan operations, as well as ministries of evangelization, catechesis, and healing that grow and strengthen the Church.

“When parishioners contribute to the Catholic Home Missions Appeal, they bring faith, hope and love where it is most needed, regardless the amount of their gift. Their gifts have a profound, positive impact on Catholics who face poverty or the isolation of being a small, minority faith,” said Bishop Chad Zielinski of New Ulm, chairman of the Subcommittee on Catholic Home Missions.

Among the recipients:

  • The Diocese of Rapid City’s Standing Rock Reservation Ministry conducts home visitation and parish faith formation activities led by three Franciscan sisters and a priest who serve members of the Standing Rock Sioux Tribe. The ministry team cares for about 500 Catholics at four parishes on the 2.3 million acre reservation, while offering accompaniment and social support to 8,000 other residents of all faiths.
  • The Diocese of Brownsville, Texas, received a grant for its Office of Deliverance Ministry to provide spiritual and emotional care for those who experience spiritual wounds and oppression by sin. This ministry receives more than 100 visits a month from people seeking spiritual liberation and healing through prayers of deliverance and the sacraments of Reconciliation and Anointing of the Sick.
  • The Syro-Malankara Eparchy of St. Mary Queen of Peace traces its roots to the missionary work of St. Thomas the Apostle in India, but its 24 priests serve about 11,000 parishioners across the United States. Although the eparchy (the term for an Eastern Catholic diocese) has no paid lay staff, the grant empowers a wide range of ministry, including a youth summer camp, retreats, family conventions and vocational discernment.

“These stories reveal the wide range of spiritual and financial needs that the Catholic Home Missions Appeal addresses,” Bishop Zielinski said. “Parishioners in mission dioceses already give sacrificially from their limited means. My prayer is that their example of faith will inspire the rest of us dig deeper to help our neighbors carry out the mission that Jesus has entrusted to us.”

For more information on Catholic Home Missions, please see:https://www.usccb.org/committees/catholic-home-missions 

For those who have not yet donated but wish to support this work, #iGiveCatholic accepts funds for the Catholic Home Missions program.

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Pope Leo XIV Accepts Resignation of Bishop Michael Mulvey of the Diocese of Corpus Christi; Appoints Bishop Mario Aviles, as Successor

WASHINGTON – Pope Leo XIV has accepted the resignation of Most Reverend W. Michael Mulvey, 76, from the pastoral governance of the Diocese of Corpus Christi, and has appointed Most Reverend Mario A. Avilés, CO, currently auxiliary bishop of Brownsville, as his successor. 

The appointment was publicized in Washington, D.C. on December 1, 2025, by Cardinal Christophe Pierre, apostolic nuncio to the United States.

The Diocese of Corpus Christi is comprised of 10,951 square miles in the State of Texas and has a total population of 582,684, of which 209,726, are Catholic.

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PHOTOS: Tickhill Psalter’s Jesse Tree shines in Morgan Library’s Advent exhibit

Scenes of David as shepherd defending his flock from a lion and a bear at the base of the Tickhill Psalter’s Tree of Jesse. / Credit: Courtesy of The Morgan Library & Museum

New York City, New York, Nov 30, 2025 / 08:00 am (CNA).

Part of the New York Public Library’s Spencer Collection, the Tickhill Psalter is on view throughout Advent and Christmas at The Morgan Library & Museum in its exhibit “Sing a New Song: The Psalms in Medieval Art and Life.” A full-page Jesse Tree introduces the Psalms in the Tickhill Psalter, a 14th-century illuminated manuscript from the Augustinian Worksop Priory in Nottinghamshire, England.

Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: The Morgan Library
Tree of Jesse (Psalm 1), from the Tickhill Psalter, England, Nottinghamshire, Worksop Priory, 1303-14, New York Public Library, Spencer 26. fol. 6v. The Medieval manuscript is on display in Morgan Library’s Advent exhibit. Credit: The Morgan Library

David appears in the historiated B of Psalm 1, providing a conceptual link to scenes from his life in the Jesse Tree on the facing page. “Beatus vir,” or “Blessed is the man,” the first stanza opens in celebration of the one who delights in God’s law, concluding: “That person is like a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither, — what they do prospers.” 

These words and their historiated B, with its visual link to the facing page, highlight David as key author of the Psalms and their prefiguration of Christ, the good fruit of the Jesse Tree, a theme common to medieval illuminated manuscripts.

King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of The Morgan
King David as Psalmist, from Florence, Italy, ca. 1408-10, by Lorenzo Monaco, who was born Piero di Giovanni but took the name Lorenzo Monaco, or Lorenzo the Monk, upon joining the monastery of Santa Maria degli Angeli, where he became a skilled illuminator and translated themes common to illuminated manuscripts into panel paintings, like this tempera on wood with gold ground depicting David seated on a stone bench tuning a psaltery, lips parted, prepared to sing, with a halo backing the crown he wears to signify the divine inspiration of his compositions. The Metropolitan Museum of Art, New York, 65.14.4. November 2025. Credit: Courtesy of The Morgan
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of The Morgan
Prophets stand in architectural niches on either side of the Tickhill Psalter’s Jesse Tree, heralding the Psalms as prophecy. Credit: Courtesy of The Morgan

The central panel of a 1490 Flemish triptych with scenes from the life of Saint Augustine contextualizes the exhibit. This five-by-five-foot oil on wood painting references Augustine’s use of allegory, essential to his understanding of scripture and interpretation of the psalms as prophecy. One scene captures Augustine’s realization of the Trinity as boundless mystery that dwarfs human understanding, allegorized by a child trying to pour the sea into a hole in the sand. 

Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of The Morgan
Scenes from the life of St. Augustine of Hippo, 1490, Bruges, Belgium, by the unnamed master of St. Augustine, amplifies the Church’s leading theologian on the allegorical interpretation of Psalms. At center, his installation as bishop of Hippo highlights his teaching authority, flanked by scenes of ordination and preaching on the left. On the right, he engages in scholarly discourse and converses with a child trying to pour the sea into a hole in the sand, illustrating the importance of allegory in Augustinian thought. Credit: Courtesy of The Morgan
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of The Morgan
Late 12th-century book comprised of Augustine’s Gradual Psalms and his Enchiridion (Greek for “handbook”). The well-worn and annotated pages reflect the proliferation of Augustinian influence on interpretation of Scripture. Spain, Santa Maria de Benevivere, near Palencia. Free Library of Philadelphia, Lewis E22, fols. 68v-69r. Credit: Courtesy of The Morgan

In the book accompanying the exhibit, Morgan curator Deirdre Jackson extends the psalms’ significance to this triptych through a reference to a surviving panel housed in Ireland that shows Augustine on his deathbed. It’s a scene described by contemporary bishop Possidius of Calama, who said that Augustine “ordered those psalms of David which are especially penitential to be copied out and, when he was very weak, used to lie in bed, facing the wall where the written sheets were put up, gazing at them and reading them, and copiously and continuously weeping as he read.”

Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Credit: Janny Chiu
Death of Uriah; David in Penance, from the Morgan’s famed Farnese Hours, demonstrates the enduring appeal of the penitential Psalms of David as seen in this early Renaissance book of hours. Italy, Rome, 1546. The Morgan Library & Museum, New York, MS M.69, fols, 63v-63r. Credit: Janny Chiu
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of The Morgan
Scenes from the Life of David, depicting the story of David and Goliath, exemplifies the significance attached to the figure of David in medieval illuminated manuscripts. Winchester Bible, England, Winchester, ca. 1160-80. The Morgan Library & Museum, New York, MS M.619v. Photography by Graham S. Haber. Credit: Courtesy of The Morgan

In his book “The Tickhill Psalter and Related Manuscripts,” 20th-century art historian Donald Drew Egbert speculates that the Tickhill Psalter was decorated by highly skilled illuminators working for Augustinian monasteries and patrons of Augustinian houses during a high point of book arts in England.

St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of The Morgan
St. Thomas More, “in tribulation vehementi et in carcere” (annotation), from the Prayer Book of Thomas More, France, Paris, 1522 (Psalter) and 1530 (Book of Hours), Beinecke Rare Book & Manuscript Library, Yale University, New Haven, MS Vault More, fol. 68v (Psalter section). Credit: Courtesy of The Morgan

This high point inspired a trend of books as personalized treasures, best exemplified in this exhibit by St. Thomas More’s prayer book. Containing much of his own writing in the margins, it consists of a Book of Hours and a Psalter and was with him in the Tower of London while he awaited execution. More’s notes during that time show his preoccupation with the psalms of David’s tribulations. Beside Psalm 87:5-10, “a man without help … in the dark places, and in the shadow of death,” More writes, “in severe tribulation and in prison.”

The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of The Morgan
The Prayer Book of Thomas More is backed by a wall-sized image of Hans Holbein’s "Sir Thomas More," positioned to look like More is gazing intently across the gallery at an image of David from the Crusader Bible. Engelhard Gallery, Photography by Janny Chiu, October 2025. Credit: Courtesy of The Morgan

More’s thoughts in distress demonstrate the appeal of David’s story to the human heart, a reality repeatedly expressed throughout the treasures of this exhibit. In the Tickhill Psalter’s Jesse Tree, David is encircled by branches springing from a tree that grows out of his father, Jesse, sprawled in an active sleep, his elbow supporting a hand planted against his head as though dreaming of all that is to come. 

A crop of the center of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of The Morgan
A crop of the center of Tickhill Psalter showing the Virgin and Child and the figure of David playing a harp. Credit: Courtesy of The Morgan

The branches of the tree wind around David and directly overhead to encircle the Virgin and Child, tracing Christ’s lineage through Mary to the House of David. At the top, the branches surround Christ enthroned in majesty, fulfilling the promise of victory over sin and death foreshadowed in the psalms.

David strikes a joyous pose and plays a harp in celebration, and foliage on either side of the main branch wraps around prophets who unfurl scrolls to hint at mysteries about to be foretold in the reading of the psalms.

Beneath the figure of Jesse, two separate depictions of David protecting his sheep from wild animals cast his actions as allegory in the fight against evil, segueing to his likeness in the historiated B, dancing and singing his story into the Psalms to animate their prefiguration of Christ.

Ecumenism is not 'absorption or domination,' but sharing gifts, pope says

ISTANBUL (CNS) -- As he had done throughout his visit to Turkey, Pope Leo XIV spent his last morning in the country reaffirming the Catholic Church's commitment to the search for Christian unity.

The key symbol of that was the pope's presence at the Divine Liturgy celebrated by Orthodox Ecumenical Patriarch Bartholomew of Constantinople Nov. 30, the feast of St. Andrew, patron of the patriarchate.

For decades the popes and patriarchs have sent delegations to each other's patronal feast celebrations -- the Vatican's celebration of the feast of Sts. Peter and Paul June 29 and the patriarchate's celebration of St. Andrew's feast Nov. 30.

St. Peter and St. Andrew were brothers and were the first of the 12 Apostles to be called by Jesus.

After the liturgy, the pope and patriarch went to a balcony where they jointly blessed the people gathered below. 

Patriarch Theodore II of Alexandria at liturgy with pope
Greek Orthodox Patriarch Theodore II of Alexandria, Egypt, blesses Pope Leo XIV and members of the congregation with candles during the Divine Liturgy celebrated by Orthodox Ecumenical Patriarch Bartholomew of Constantinople in the Patriarchal Cathedral of St. George in Istanbul Nov. 30, 2025. (CNS photo/Lola Gomez)

Patriarch Bartholomew had been present at most of the events on Pope Leo's itinerary in Turkey, including the meeting in Ankara Nov. 27 with Turkish President Recep Tayyip Erdogan and government and civic officials. The patriarch hosted the commemoration of the 1,700th anniversary of the Council of Nicaea Nov. 28, and he attended Pope Leo's Mass for the country's Catholic communities Nov. 29.

At the liturgy Nov. 30 in the Patriarchal Cathedral of St. George, Pope Leo spoke about how for 60 years Catholics and Orthodox have followed "a path of reconciliation, peace and growing communion." 

Pope Leo XIV at the Ecumenical Patriarchate's Divine Liturgy
Pope Leo XIV greets Orthodox Ecumenical Patriarch Bartholomew of Constantinople during a Divine Liturgy celebrated in the Patriarchal Cathedral of St. George in Istanbul Nov. 30, 2025. (CNS photo/Lola Gomez)

The increasingly cordial relations have been "fostered through frequent contact, fraternal meetings and promising theological dialogue," he said. "And today we are called even more to commit ourselves to the restoration of full communion."

Especially important work has been done by the Joint International Commission for Theological Dialogue between the Catholic Church and the Orthodox Church, the pope said, but he noted that tensions among the Orthodox churches have led some of them to suspend their participation.

The commission's last plenary session was held in Egypt in 2023; the most noticeable absence was that of the Russian Orthodox Church, which broke relations with the Ecumenical Patriarchate in 2018 when the patriarch recognized the autonomy of the Ukrainian Orthodox Church.

Pope Leo used his greeting at the Divine Liturgy to confirm that, "in continuity with the teaching of the Second Vatican Council and my predecessors," the pursuit of full communion among Christians "is one of the priorities of the Catholic Church. In particular, it is one of the priorities of my ministry as Bishop of Rome, whose specific role in the universal Church is to be at the service of all, building and safeguarding communion and unity."

In his homily at the liturgy, Patriarch Bartholomew restated the Orthodox commitment to unity and called for common Christian efforts to protect the environment and to end wars.

"We cannot be complicit in the bloodshed taking place in Ukraine and other parts of the world and remain silent in the face of the exodus of Christians from the cradle of Christianity" in the Holy Land, the patriarch said. 

Pope Leo welcomed with bread and salt by Armenians in Turkey
Pope Leo XIV is welcomed to the cathedral of the Armenian Apostolic Church in Istanbul by young people making the traditional offering of bread and salt as Archbishop Sahak II Mashalian, the Armenian Apostolic patriarch of Constantinople, looks on Nov. 30, 2025. (CNS photo/Vatican Media)

Pope Leo's day had begun with a visit to Archbishop Sahak II Mashalian, the Armenian Apostolic patriarch of Constantinople, at his cathedral in Istanbul.

The celebrations of the 1,700th anniversary of the Council of Nicaea and its statement of faith that formed the basis of the Nicene Creed, are an affirmation that "we must draw from this shared apostolic faith in order to recover the unity that existed in the early centuries between the Church of Rome and the ancient Oriental Churches," the pope said.

"We must also take inspiration from the experience of the early church in order to restore full communion," he said; the goal is "a communion which does not imply absorption or domination, but rather an exchange of the gifts received by our churches from the Holy Spirit for the glory of God the Father and the edification of the body of Christ."

While Pope Leo paid tribute to "the courageous Christian witness of the Armenian people throughout history, often amid tragic circumstances," he was not more explicit about the politically sensitive subject of what many call the "Armenian genocide," when an estimated 1.5 million Armenians killed by Ottoman Turks in 1915-18.

Mardik Evadian, a local business owner who was present for the pope's visit, told reporters that for Armenians in Turkey "it is not important" that the pope use the word "genocide."

Armenians know what happened and remember their loved ones who were killed, he said, "but we are living in this country; maybe in old times there were pogroms, but now it is peacetime."
 

Advent: What is it and how should it be celebrated?

Advent candles. / Credit: Romolo Tavini/Shutterstock

CNA Staff, Nov 30, 2025 / 04:00 am (CNA).

Advent begins this year on Sunday, Nov. 30. Most Catholics — even those who don’t often go to Mass — know that Advent involves a wreath with candles, possibly a “calendar” of hidden chocolates, and untangling strings of Christmas lights. But Advent is much more than that. Here’s an explainer of what Advent is really about.

What is Advent?

The people of Israel waited for generations for the promised Messiah to arrive. Their poetry, their songs and stories, and their religious worship focused on an awaited savior who would come to them to set them free from captivity and to lead them to the fulfillment of all that God had promised.

Israel longed for a Messiah, and John the Baptist, who came before Jesus, promised that the Messiah was coming and could be found in Jesus Christ, God’s Son, the “Lamb of God who takes away the sins of the world.”

Advent is a season in the Church’s life intended to renew the experience of waiting and longing for the Messiah. Though Christ has already come into the world, the Church invites us to renew our desire for the Lord more deeply in our lives and to renew our desire for Christ’s triumphant second coming into the world.

Advent is the time in which we prepare for Christmas, the memorial of Jesus Christ being born into the world. Preparations are practical, like decorating trees and gift giving, but they’re also intended to be spiritual.

During Advent, we’re invited to enter more frequently into silence, into prayer and reflection, into Scripture, and into the sacramental life of the Church — all to prepare for celebrating Christmas.

The Catechism of the Catholic Church says the goal of Advent is to make present for ourselves and our families the “ancient expectancy of the Messiah ... by sharing in the long preparation for the Savior’s first coming.”

What does the word ‘Advent’ mean?

Advent comes from the Latin “ad + venire,” which means, essentially, “to come to” or “to come toward.” “Ad + venire” is the root of the Latin “adventus,” which means “arrival.”

So Advent is the season of arrival: the arrival of Christ in our hearts, in the world, and into God’s extraordinary plan for our salvation.

So, it’s four weeks long?

Advent is a slightly different length each year. It starts four Sundays before Christmas. But because Christmas is on a fixed date and could fall on different days of the week, Advent can be as short as three weeks and a day or as long as four weeks.

Does Advent mark a ‘new year’?

The Church’s feasts and celebrations run on a yearlong cycle, which we call the “liturgical year.” The “liturgical year” starts on the first Sunday of Advent. So it’s a new liturgical year when Advent starts. But the Church also uses the ordinary calendar, so it would probably be a bit weird to have a “New Year’s Eve” party the night before Advent starts.

What is the significance of the Advent wreath?

The Catholic Church has been using Advent wreaths since the Middle Ages. Lighting candles as we prepare for Christmas reminds us that Christ is the light of the world. And the evergreen boughs remind us of new and eternal life in Christ, the eternal son of the Father.

It is definitely true that Germanic people were lighting up candle wreaths in wintertime long before the Gospel arrived in their homeland. They did so because candle wreaths in winter are beautiful and warm. That a Christian symbol emerged from that tradition is an indication that the Gospel can be expressed through the language, customs, and symbols of cultures that come to believe that Christ Jesus is Lord.

One candle is pink on the wreath — why?

There are four candles on the Advent wreath. Three are purple and lit on the first, second, and fourth Sundays of Advent. The pink candle is lit on the third Sunday of Advent, which we call Gaudete Sunday. On that Sunday, in addition to the pink candle, the priest wears a pink vestment, which he might refer to as “rose.”

Gaudete is a word that means “rejoice,” and we rejoice on Gaudete Sunday because we are halfway through Advent. Some people have the custom of throwing Gaudete parties, and this is also a day on which Christmas carolers may begin caroling door to door.

The three purple candles are sometimes said to represent prayer, fasting, and almsgiving — the three spiritual disciplines that are key to a fruitful Advent.

Is it wrong to sing Christmas songs during Advent?

No, but there are a lot of great Advent hymns and songs, such as “O Come O Come Emmanuel,” “Come Thou Long Expected Jesus,” “O Come Divine Messiah,” “Come Thou Fount,” and “Hark! A Thrilling Voice Is Sounding.”

When should the tree go up?

When to put up the tree is a decision that families decide on their own. Some people put up their tree and decorate it on the first Sunday of Advent to make a big transformation in their home and get them into “preparing for Christmas” mode.

Some put up the tree on the first Sunday of Advent, put on lights the next Sunday, ornaments the next, and decorate it more and more as they get closer to Christmas.

Some put up the tree on Gaudete Sunday, as a kind of rejoicing, and decorate it in the weeks between Gaudate and Christmas.

When the tree goes up and gets decorated is up to the individual and family, but having a Christmas tree is a big part of many people’s Advent traditions.

This story was first published in November 2019 and has been updated.

Don’t let Christmas take you by surprise: Advice on Advent from the Church

null / Credit: Lisa Missenda/Shutterstock

Denver, Colorado, Nov 29, 2025 / 12:36 pm (CNA).

The first Sunday of Advent 2025 is tomorrow, Nov. 30, less than four weeks before Christmas this year, and while the Church provides this time to allow you to be caught by the joy of the Incarnation, you can be easily caught by surprise that it is Christmas. To help remedy this surprise, the Church provides songs, signs, and symbols to enter into the season of Advent more fruitfully.

Here are three ways the Church teaches us about the meaning of the season:

Advent hymns

Many of the customary hymns for Advent highlight the movement of the soul toward what Pope Francis termed in a homily on Advent as a “horizon of hope.” No hymn epitomizes this better than “O Come, O Come Emmanuel,” with its overtones of expectation and its mournful remorse over the state of man, captive to sin. The cultivation of hope and expectation is also seen in Advent hymns such as “O Come Divine Messiah” and “People Look East.” 

The commingled darkness and hope that God will fulfill his promises, a theme characteristic of Advent, deepens with songs like the Spanish carol “Alepun.” The lyrics of “Alepun” move the faithful into an experience of waiting with a pregnant Blessed Virgin Mary while the rhythm and percussion evoke donkey hooves clattering across the plains of Israel to Bethlehem.

Church decor

Advent is a season of penance marked by joy and, in many ways, a little Lent. This is why the colors of purple and pink — with their ties to penance and the Lord’s passion, and the joy of Laetare Sunday when Lent is almost over — are the colors of Advent. But did you know that the deep purple of Advent has a blue hue to it to teach the faithful in symbol about the Marian heart of the season?

The lack of church decor also teaches about the penitential nature of the season. In the weeks leading up to Christmas, the lack of flowers on the altar, the restrained use of instruments, and the absence of the resounding and angelic Gloria all lead to a deliberate emptiness.

The emptiness will first be filled on the solemnity of the Immaculate Conception, and, later, flowers will be allowed on Gaudete Sunday as the first expression of the festivity of the coming Christmas.

Saints and solemnities 

Following the solemnity of Christ the King, Advent begins with echoes of the power of Christ coming in glory before it stretches forward to the humble beginnings of the mystery of the Incarnation.

This means there is a certain focus the Church helps people enter into even in the way the liturgical calendar is marked by very few memorials of saints: just five in the course of the four weeks, most of whom are deeply embedded in the celebration of and preparation for Christmas in various countries.

St. Nicholas is the best known of the five: the generous bishop whose gifts inspired generations of lore and giving. St. Lucy, whose desire to give charity to prisoners in the catacombs meant she wore candles in her hair to free her hands, is another well-known saint with connections to Christmas whom we celebrate in Advent.

The Church also shows forth the importance of Mary during this season, which places her Immaculate Conception on Dec. 8, a solemnity and holy day of obligation, at the very beginning of the liturgical year. Combined with the feast day of Our Lady of Guadalupe on Dec. 12, the Church shows forth what God has wrought in a soul full of grace — a foreshadowing of the entire mystery of salvation in one soul.

Though there are many more signs and symbols that communicate the meaning of Advent, these can assist you as you enter the season of expectation, building anticipation for the celebration of Christmas so it doesn’t catch you by surprise.

This story was first published on Nov. 28, 2022, and has been updated.

Airbus computer issue affects papal plane during trip to Turkey

The flights for Pope Leo XIV’s first apostolic journey are taking place aboard an ITA Airways Airbus A320neo, one of thousands of Airbus planes affected by a computer issue, Saturday, Nov. 29, 2025. / Credit: Daniel Ibanez/EWTN News

Rome Newsroom, Nov 29, 2025 / 08:30 am (CNA).

Around 6,000 Airbus planes were grounded this weekend after it was discovered that intense solar radiation could interfere with onboard flight control computers.

How Knock Shrine led a priest to build a successful airport

Ireland West Airport in Knock, Ireland. / Credit: Photo courtesy of Ireand West Airport Knock

Dublin, Ireland, Nov 29, 2025 / 06:00 am (CNA).

Monsignor James Horan’s ambitious airport project is still transforming the west of Ireland 40 years later.

Pope visits famous Istanbul mosque but does not pause to pray

ISTANBUL (CNS) -- Pope Leo XIV, like his two immediate predecessors, visited the so-called Blue Mosque in Turkey's capital; he spent about 20 minutes inside but did not appear to pause for prayer as Pope Benedict XVI and Pope Francis had done.

Instead, he listened to Askin Musa Tunca, the mosque's muezzin who calls people to prayer five times a day, explain the building, its construction and how Muslims pray. And the pope asked questions. 

Pope Leo looks at the ceiling of the Blue Mosque
Pope Leo XIV looks up at the ceiling of the Sultan Ahmed Mosque, more commonly called the Blue Mosque, in Istanbul during a visit Nov. 29, 2025. Kurra Hafiz Fatih Kaya, the imam of the mosque, is to the right of the pope; Emrullah Tuncel, the mufti of Istanbul, is to the left of the pope; and Askin Musa Tunca, the mosque's muezzin, wearing a suit and tie, is guiding the visit. (CNS photo/Lola Gomez)

Tunca told reporters afterward that the mosque is "the house of Allah -- it's not my house; it's not your house," and so he told Pope Leo he could pray if he wanted. "'That's OK,' he said, he wanted to see the mosque."

Reporters pressed Tunca, asking again if the pope prayed. "Maybe to himself, I don't know," he responded.

The Vatican press office said afterward that Pope Leo visited the mosque "in a spirit of reflection and attentive listening, with deep respect for the place and for the faith of those who gather there in prayer."

As is customary, Pope Leo removed his shoes in the courtyard before entering the mosque in white socks. 

A minaret of the Blue Mosque at sunrise
One of the six minarets of the Sultan Ahmed Mosque, more commonly called the Blue Mosque, in Istanbul is seen shortly after sunrise before Pope Leo XIV visits Nov. 29, 2025. (CNS photo/Lola Gomez)

Formally called the Sultan Ahmed Mosque, the Muslim house of prayer was complete in 1617 and is known as the Blue Mosque because of the more than 21,000 blue tiles that decorate its walls, arches and domes. The tiles come from Iznik, site of the ancient Nicaea, which Pope Leo had visited the day before.

Leaving the mosque, Pope Leo noted to Tunca that they were going through a doorway with a sign that said, "No exit." The muezzin replied that the sign was for tourists but, if the pope preferred, "you do not have to go out. You can stay here."

Pope Benedict XVI had visited the Blue Mosque in 2006, and Pope Francis toured it in 2015. Both had paused for a moment of silence facing the mihrab, which indicates the direction of the Islamic holy city of Mecca. St. John Paul II was the first pontiff to visit a mosque when he went to the Umayyad mosque in Damascus, Syria, in 2001. 

Pope Leo visits the Blue Mosque in Istanbul
Pope Leo XIV walks with Turkish Muslim leaders and aides as they exit the Sultan Ahmed Mosque, also known as the Blue Mosque, after a private visit in Istanbul, Turkey, Nov. 29, 2025. (CNS photo/Lola Gomez)

In late October Pope Leo had led Vatican celebrations of the 60th anniversary of Nostra Aetate, the Second Vatican Council's document on relations with other world religions. The bishops at Vatican II said Catholics have esteem for their Muslim brothers and sisters, who "adore the one God, living and subsisting in himself; merciful and all-powerful, the Creator of heaven and earth," and "they take pains to submit wholeheartedly to even his inscrutable decrees."